Dark tulips
A beautiful flower bed peppered with velvety tulips in a cultivated corner of London.
In monochrome, these blooms look silky and black as ink – in a richly coloured high key shot, they are a rich maroon as they rest on a dazzling carpet of yellow blossom. The colour sizzles while the black and white broods – which do you favour?
This was one moment in a photographic walk taken with fellow camera fancier and blogger, Richard Cooper-Knight. You can see our first joint post here very soon…
Great to see the mono treatment, amazing how the world changes through filtered eyes…
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Thanks Andy, it’s probably fitting for so called black tulips.
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Indeed ;-)
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Generally I prefer my flowers as nature intended…… in colour.
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Fair play, Mark. Sometimes it seems a shame to strip them of the colour they were blessed with.
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Definitely the colour version, Mike. I like the blurriness of the yellow flowers. :)
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Yes, it’s the closest I’ll come to a field of rapeseed this year!
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Definitely favour the black ones. They have a strange pull somehow, and in the back of my mind thoughts of cemeteries or horror movies are lurking…
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Thanks Kiki. Oh, you do harbour dark thoughts! But there is something a bit menacing about that shot…
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So pleased you put both as both are so different. Think I’ll go for the monochrome and brooding, nothing wrong with the sizzling colour just for this shot my preference is for B&W.
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Thank you Lee, nice to hear the word from Down Under! I haven’t quite decided yet, I must say…
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Beautiful, velvety blackness. I long to know which cultivated corner of London.
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Thank you Sarah. I can tell you this bed is in the Rembrant Gardens in Little Venice.
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Aha! I haven’t been in Little Venice for a century. Time to go.
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Yes, the canal paths are fascinating… there will be a series of photos from there gathered with my collaborator Richard tomorrow :)
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I think I’ll go for the b&w – it’s more classic (and timeless).
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Interesting! Thanks Malin. Although I shouldn’t be so surprised at your choice – it suits your own style :)
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Indeed! :))
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Seeing the colour helps me understand what the black and white does – they are incomparable. The silkiness is in the depth of field. As a novice I’m puzzled why this works so well – the focal point is dead centre front. PS looking forward to your collaboration with RCK.
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Laura, thank you for your very precise observations. The bloom in the foreground is the star of the show really – the others are just bit part players. Glad you are looking forward to our joint post – it’s coming tomorrow.
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