Tale of two cities
This is a glimpse of a city that has truly changed since my last stay 18 years ago. Newcastle upon Tyne’s southern neighbour Gateshead is now a clutch of bright, shiny new buildings, including the Sage concert hall and Millennium Bridge linking to its more established counterpart. Meanwhile, the Baltic – an old flour mill – has been converted into a contemporary art gallery.
Newcastle city centre is handsome, majestic and at times austere in the unforgiving climate of north-east England. At its ancient heart is a sturdy castle keep and some flights of steep, precarious steps. Enjoy the whistle-stop tour of a city divided by time and a great river.
Click first image to launch the gallery
- Millennium Bridge
- Old city walls
- Back of the Baltic Mill art gallery
- Monument Metro sign
- Metal installation, Gateshead
- Sage Gateshead
- Graffiti art, Gateshead
- Castle keep
- Tyneside factory
- Stairwell, Baltic Mill
- Millennium Bridge
- Street signage, old Newcastle
- Bridges across the Tyne
- Sage Gateshead
- Old stairway
That’s a great collection Mike; I love the diverse architecture and the different ways in which you have approached it.
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Thank you very much, Noeline. Newcastle certainly has plenty to offer and with it great contrast.
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A great selection and insight into two lovely cities. The Baltic is a great gallery and the Sage is eminently photographable! :)
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Thanks Richard, is really is a case of ancient and modern. The Sage and the Millennium Bridge are truly photogenic structures.
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Without a doubt – I seem to remember coming back with more than a handful of shots of them both! :)
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Beautiful details of the modern architecture. I love it!
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Thanks Koos. I must admit I often find it more intriguing than some of the traditional bricks and mortar.
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I love the mix of old and new. Often, a city with only old buildings look like a museum and a city with only new buildings misses a ‘heart’. So, a mixture is the best!
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Absolutely :) And gives a good contrast to photographers. Like I just said to Richard, I tend to find the contemporary more compelling – although not always.
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