Gold on mud

The sun was lowering and the tide out on an evening by Maldon’s River Blackwater in Essex. The waterway is notoriously muddy at low tide, and the town is famous for its annual mud race – a messy and sticky event.

But there were very few people around on this occasion, and I was able to walk down the ramp from the bank to take this shot. Just a couple of birds sit calm by the distant water, while the sunlight catches golden flecks across the layers of mud. A combination of factors to make a beautiful sight.

See also:

Stripped sky

Riverside gem

Stripped sky

The weekend was spent in the pretty riverside town of Maldon, in Essex, my adopted home town where my family live. One evening was fine and sunny – quite a feat for our soggy summer – so I took a walk.

It was getting late and golden hour was dawning, throwing lengthening shadows from the boats, while the skyscape was beautiful. Back in London, I decided to grab hold of the shot above and turn it on its head, stripping the image of its warm, embracing colours.

It is monochrome, the light has turned inside out. The silhouette of St Marys church has become more dramatic and galvanised. This second shot taken by the River Blackwater is untransformed, with rich, syrupy hues and liberal blobs of lens flare:

Does it make sense to drain a rich, sun-filled evening sky of all its colour? I’m fond of both but for very different reasons. I would be very interested to hear your opinions.

See also:

The blossom dilemma

A photographic quandry solved

Pergola

The heavens have opened over west London. Again. Time to bring out another photograph that is reminiscent of the scant good weather we’ve enjoyed this summer. A pergola – a beautifully covered walkway at Hampton Court Palace – diffuses bright sunlight as some visitors begin their journey under the archway.

It’s another shot that I think works very well without colour and a sepia tinge, bringing out strong contrasts in the light and shadows. Would you rather see it in all its original glory?…

See also:

The joy of sepia

Curves and colonnades

Fountain source