Japanese retro

Olympus-35 EC

My deep-rooted interest in film photography has taken flight again. Two years have passed since a 1968 Soviet Zenit took its place in my camera family, but its mechanical bulk and a slight fear of its needs have left it resting gracefully in a drawer.

A visit to The Photographers Gallery here in London set this new phase in motion. Their shop sells beautifully reconditioned Olympus Trips, a classic of its era. A bit of sage advice from Zorki Photo and a trawl around eBay resulted in the purchase of a well looked after Olympus 35 EC for £32.

Unlike my hulking Zenit, this is a 35mm compact in every sense. Its electronic shutter is powered by a couple of small batteries. Essentially a point and shoot, all you need to determine is the focus, divided into five zones.

Click first image to view the gallery

I’ve already loaded my new baby with a roll of Fuji Superia 400 colour film, a much more stress-free task than with the Zenit. A couple of test shots made it feel as simple as it was intended at the cusp of the 1970s, although there’s no pleasing mechanical shutter release thunk.

The only worry is that I’ll become frustrated over the lack of control with this little Olympus, preferring to operate my Fuji in manual mode at all times. But I already see it as a camera I can easily pop in my pocket and revive the joy of shooting film with – seeking out different light and colours and not knowing your results until they arrive in the post.

And yes, some shots may well eventually find their way onto that least analogue of mediums…

Instagram widget

My new Soviet friend

A new chapter in photography is opening up for me – but it is one which is distinctly retro and vaguely familiar.

I have invested a relatively small amount of money in a Zenit-3 camera, made in the Soviet Union in 1968. It is very solid, its weight protected by a fragrant leather case – and entirely mechanical. There’s no sniff of a battery here, and of course it takes rolls of film. That’s what we all used to do before the advent of digital cameras and memory cards.

The familiarity comes from being old enough to remember film photography, while around 1980 my late father bought me a Zenit camera which I remember very well.

My hands were too small to handle this metal chassis, while the finer points of aperture and shutter times were a little beyond me. But it was used to produce slides from family holidays and star trail captures from an interest in astronomy.

This memory was revived by Stephen Dowling, a  friend with a passion for vintage photography. His Flickr stream shows just what can be achieved with Soviet cameras and spurred me into my recent purchase.

In the first few tentative weeks I’ve mechanically loaded the first film, which is a feat in itself. The first shots without a digital guide to light levels have been a challenge. So has remembering to stop the aperture myself.

But the love affair is taking root – the clunk of the shutter is beautiful and focusing by hand delicious. It’s a world away from my trusty, nimble and lightweight Lumix which will remain the main tool of my photographic endeavours.

What the first black and white film from my Zenit yields will remain a mystery until it’s been developed, but I look forward to sharing the results here.